North American Nature Photography Association

The North American Nature Photography Association or NANPA is an organization dedicated to photography of nature. Established in 1994, the association has more than 3,000 members currently. Several categories of membership are available, including discounts for students. It annually sponsors many events and conferences, such as NANPA Road Shows, in the United States. Its Foundation, initially established in 1997, awards scholarships, operates blinds for wildlife photography, and organizes funds in memory of deceased photographers and others. NANPA also markets books of interest to members, including those by members, through Amazon.com.

In 2006, NANPA initiated June 15 as Nature Photography Day. The occasion was spearheaded by the association’s History Committee. The designated day is intended to promote the art and science of nature photography. NANPA looks to the esthetic elements and practical ones, too.

The 2009 Nature Photography Summit took place in February in Albuquerque, N.M. The 2010 summit is scheduled for February in Reno, Nevada. Each summit includes portfolio reviews, workshops (called breakouts), a trade show, vendor sessions and an awards celebration.

*Starred Review* Just as nature is too often defined as wilderness when, in fact, nature is everywhere we are, our nature poetry is too often defined by Anglo-American perspectives, even though poets of all backgrounds write about the living world. By creating an anthology of nature poetry by African American writers, poet and editor Dungy enlarges our understanding of the nexus between nature and culture, and introduces a “new way of thinking about nature writing and writing by black Americans.” African American poets describe the need for practical knowledge of the wild to survive, the toil of working the land, and moments of spiritual communion with nature’s countless manifestations. Dungy provides an arresting introductory overview of 180 poems by 93 poets, and incisive essays accompany each thematic grouping. This analysis is dynamic and crucial, but the poems, beginning with Lucille Clifton’s “the earth is a living thing,” are ravishing. Dungy’s unique, enlightening, and heart-opening anthology embraces George Moses Horton, who lived as a slave, and today’s award-winning Cyrus Cassells, haiku by Richard Wright, and poems funny, smart, sexy, devastating, and exquisite by Nikki Giovanni, Janice N. Harrington, Yusef Komunyakaa, Carl Phillips, and their many resounding peers, each expressing provocative perceptions of the great tide of existence. --Donna Seaman

Review

"Camille Dungy's anthology, Black Nature: Four Centuries of African American Nature Poetry, offers a fresh new vision of the African American poetic canon. In eliciting black poems that redefine the Western tradition of nature poetry, she has provided a new configuration for African American poetry, one that is postmodern and neo-pastoralist. Black Nature expands the horizon of black poetry from the frequently anthologized themes of blues, social commentary, and urban pastoral and demonstrates that black is also green, a theme consonant with the twenty-first century. Publishing many young poets writing since the post Black Arts Movement, Dungy's Black Nature achieves a contemporary emphasis. It is ideal for introductory and advanced African American literature courses." --Robert Chrisman, Editor-in-Chief, The Black Scholar

"Dungy has compiled what might have taken a lifetime to assemble, yet here it is at this moment when our culture is assessing both its relationship to the natural world and its relationship with its black citizens. The timing could not be better for such a comprehensive look at what black poets have contributed to our understanding of nature. What excites about this anthology is that it is not only the richest and most comprehensive collection of poems by black poets I have read, it is the richest and most comprehensive collection of poems about nature that I have read. I believe the book should be widely read, taught, and talked about." --Alison Hawthorne Deming, author of Rope

"With extraordinary insight and substantial creative vision the rich synthesis of this anthology offers a strikingly original contour to the seasons of Black poets and poetry. The critical wisdom accumulated here is as important as the beautifully structured cycles that Dungy uses as landscaped categories to contain these important poems. The methodology here is as graceful as it is rigorously intelligent. Dungy's anthology is a major contribution to twenty-first century Black Studies." --Karla FC Holloway, author of BookMarks: Reading in Black and White--A Memoir

"Black Nature is the most exciting anthology of poetry I've read in years. In part this reflects the superb quality and remarkable range of Camille Dungy's selections. But it also comes from her decision to organize the book's contents into ten thematic "cycles" rather than chronologically. Each of the sections responds distinctively and dramatically to Lucille Clifton's question with which Dungy frames the entire volume: "why/is there under that poem always/ an other poem?" This collection will quickly become essential reading for poets and scholars, as well as for courses on American poetry and the literature of nature."--John Elder, author of Reading the Mountains of Home

"Camille Dungy’s anthology, Black Nature: Four Centuries of African American Nature Poetry, offers a fresh new vision of the African American poetic canon. In eliciting black poems that redefine the Western tradition of nature poetry, she has provided a new configuration for African American poetry, one that is postmodern and neo-pastoralist. Black Nature expands the horizon of black poetry from the frequently anthologized themes of blues, social commentary, and urban pastoral and demonstrates that black is also green, a theme consonant with the twenty-first century. Publishing many young poets writing since the post Black Arts Movement, Dungy’s Black Nature achieves a contemporary emphasis. It is ideal for introductory and advanced African American literature courses."--Robert Chrisman, Editor-in-Chief, The Black Scholar

"Dungy has compiled what might have taken a lifetime to assemble, yet here it is at this moment when our culture is assessing both its relationship to the natural world and its relationship with its black citizens. The timing could not be better for such a comprehensive look at what black poets have contributed to our understanding of nature. What excites about this anthology is that it is not only the richest and most comprehensive collection of poems by black poets I have read, it is the richest and most comprehensive collection of poems about nature that I have read. I believe the book should be widely read, taught, and talked about."--Alison Hawthorne Deming, author of Rope

"With extraordinary insight and substantial creative vision the rich synthesis of this anthology offers a strikingly original contour to the seasons of black poets and poetry. The critical wisdom accumulated here is as important as the beautifully structured cycles that Dungy uses as landscaped categories to contain these important poems. The methodology here is as graceful as it is rigorously intelligent. Dungy's anthology is a major contribution to twenty-first century Black Studies."--Karla FC Holloway, author of BookMarks: Reading in Black and White—A Memoir

"Just as nature is too often defined as wilderness when, in fact, nature is everywhere we are, our nature poetry is too often defined by Anglo-American perspectives, even though poets of all backgrounds write about the living world...Dungy enlarges our understanding of the nexus between nature and culture, and introduces a 'new way of thinking about nature writing and writing by black Americans.'"—Booklist (starred review)